The purpose of the art I create is not to be ponderous, but rather to heighten and light up it's surroundings. I want it to be fun to look at, I wish people to care about the painting and use it as something to make them feel good.
Miller Vintage Valentines
430 × 322 - 48k - jpg
vintage Valentine's fabric
337 × 450 - 78k - jpg
Valentine" fabric from RJR
350 × 367 - 48k - jpg
Valentine's Day Fabric Michael
720 × 480 - 172k - jpg
vintage-style Valentine fabric
399 × 500 - 182k - jpg
In preparation for Valentine's
396 × 379 - 221k - jpg
my 43 vintage valentine
450 × 337 - 88k - jpg
Morrow was a graduate of the Parsons School of Design in Greenwich Village, New York City. He began his career as a book illustrator; his best known work in that field was the 1961 children's book Time for Bed, by Inez Bertail. By the mid-1950s, Morrow had already turned to the design of Broadway theatre advertisements. Early examples, such as his posters for the play Auntie Mame (1955) and the musical Candide (1956), already displayed the lively, colourful and almost expressionist style that would characterise his work for the next three decades. He devised many particularly memorable images that become well-known through their use on posters, Playbills, sheet music and on the record sleeves of original cast albums. These included stylised depictions of Gwen Verdon (in her 1959 show, Redhead), Tammy Grimes (The Unsinkable Molly Brown, 1960) and Lucille Ball (Wildcat, 1960). His sexy logo for the 1958 musical Oh, Captain!, depicting a young woman wearing only an apron and a captain's hat, has been credited with increasing the advance ticket sales for what otherwise proved to be a mediocre and short-lived show. Morrow's subsequent association with producer/director Harold Prince saw him design some of the most memorable Broadway logos of the 1960s, including the Cupid motif from She Loves Me (1963), the Chagall-influenced peasant village scene from Fiddler on the Roof (1964), the crowded nightclub from Cabaret (1966) and the handstand male figure from Zorba (1968). Morrow also produced the series of paintings that was used in the title sequence of Prince's 1970 feature film, Something for Everyone.
I found this vintage lace at
383 × 640 - 248k - jpg
7b7: vintage style valentine
500 × 375 - 207k - jpg
16 vintage Valentine quilt.
180 × 180 - 8k
thefind.com
16 vintage Valentine quilt.
180 × 180 - 8k
thefind.com
16 vintage Valentine quilt.
180 × 180 - 8k
Vintage Valentine Fabric
535 × 600 - 108k - jpg
Valentine fabric Vintage
240 × 170 - 54k - jpg
Valentine" fabric from RJR
350 × 384 - 52k - jpg
"Vintage Valentine" Fabric
198 × 300 - 54k - png
kaboodle.com
"Vintage Valentine" Fabric
198 × 300 - 54k - png
kaboodle.com
Vintage Valentine Fabric Lot- Bundle of 4 - Vintage Fabric DESTASH
1500 × 1125 - 450k - jpg
"Vintage Valentine" Fabric
198 × 300 - 54k - png
Patty Reed - Retro Kids Vintage Valentines fabric applique - 1 yard
1451 × 1500 - 519k - jpg
Miller Vintage Valentines
430 × 322 - 48k - jpg
vintage Valentine's fabric
337 × 450 - 78k - jpg
Valentine" fabric from RJR
350 × 367 - 48k - jpg
Valentine's Day Fabric Michael
720 × 480 - 172k - jpg
vintage-style Valentine fabric
399 × 500 - 182k - jpg
In preparation for Valentine's
396 × 379 - 221k - jpg
my 43 vintage valentine
450 × 337 - 88k - jpg
Morrow was a graduate of the Parsons School of Design in Greenwich Village, New York City. He began his career as a book illustrator; his best known work in that field was the 1961 children's book Time for Bed, by Inez Bertail. By the mid-1950s, Morrow had already turned to the design of Broadway theatre advertisements. Early examples, such as his posters for the play Auntie Mame (1955) and the musical Candide (1956), already displayed the lively, colourful and almost expressionist style that would characterise his work for the next three decades. He devised many particularly memorable images that become well-known through their use on posters, Playbills, sheet music and on the record sleeves of original cast albums. These included stylised depictions of Gwen Verdon (in her 1959 show, Redhead), Tammy Grimes (The Unsinkable Molly Brown, 1960) and Lucille Ball (Wildcat, 1960). His sexy logo for the 1958 musical Oh, Captain!, depicting a young woman wearing only an apron and a captain's hat, has been credited with increasing the advance ticket sales for what otherwise proved to be a mediocre and short-lived show. Morrow's subsequent association with producer/director Harold Prince saw him design some of the most memorable Broadway logos of the 1960s, including the Cupid motif from She Loves Me (1963), the Chagall-influenced peasant village scene from Fiddler on the Roof (1964), the crowded nightclub from Cabaret (1966) and the handstand male figure from Zorba (1968). Morrow also produced the series of paintings that was used in the title sequence of Prince's 1970 feature film, Something for Everyone.
I found this vintage lace at
383 × 640 - 248k - jpg
7b7: vintage style valentine
500 × 375 - 207k - jpg
16 vintage Valentine quilt.
180 × 180 - 8k
thefind.com
16 vintage Valentine quilt.
180 × 180 - 8k
thefind.com
16 vintage Valentine quilt.
180 × 180 - 8k
Vintage Valentine Fabric
535 × 600 - 108k - jpg
Valentine fabric Vintage
240 × 170 - 54k - jpg
Valentine" fabric from RJR
350 × 384 - 52k - jpg
"Vintage Valentine" Fabric
198 × 300 - 54k - png
kaboodle.com
"Vintage Valentine" Fabric
198 × 300 - 54k - png
kaboodle.com
Vintage Valentine Fabric Lot- Bundle of 4 - Vintage Fabric DESTASH
1500 × 1125 - 450k - jpg
"Vintage Valentine" Fabric
198 × 300 - 54k - png
Patty Reed - Retro Kids Vintage Valentines fabric applique - 1 yard
1451 × 1500 - 519k - jpg
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